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Karen Bailey with "Passage", Nuit Blanche 2014, at The Rectory Art House. |
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"Cut-Outs" by Lori Victor at The Rectory Art House. |
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Lori Victor engages in discussions with visitors about her installation "Cut-Outs" during Ottawa's Nuit Blanche 2014. |
Lori Victor's installation instead was political: Her “Cut-Outs” at the second floor showed strings of more than 4,000 cut-out figures of an Ottawa Citizen article reporting that over 4,000 aboriginal children died in residential schools. A powerful, meaningful installation that led to interesting and controversial discussions all night long. Victor's second installation “Ottawa's Kitimat” refers to the pipeline through Ottawa carrying tar sand bitumen from Alberta.
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Lori Victor's "Ottawa's Kitimat" |
Karen Rasmussen's “Closing Time?”, an installation of chairs, stools, books, and clocks focused on personal challenges. Her installation is according to the artist “a decision-making chamber for considering changes we face and for figuring out our next move. A chance to bypass the usual anxiety of change, forego meds and psychotherapy, and take art instead.” What a great approach!
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Karen Rasmussen's "Closing Time?" at Nuit Blanche 2014. |
A wonderful addition to the art at The Rectory were the Ottawa Storytellers. They told enlightening, thoughtful, serious, sad, and sometimes even humorous tales in response to the paintings and installations.
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Ottawa Storyteller before Karen Bailey's "Passage" during Nuit Blanche. |
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Ottawa Storyteller before Karen Bailey's "Passage" during Nuit Blanche. |
Artists' websites:
http://www.karenbailey.ca/
http://lorivictor.com/
Karen Rasmussen: https://www.facebook.com/media/set/?set=a.138248893037302.1073741834.121343688061156&type=1&_fb_noscript=1
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