Wednesday, April 20, 2011

Cynosure & Bozica Radjenovic – INFUSION

Quite extraordinary – the current exhibition at the Ottawa School of Art. Why? Can you imagine knitted blood systems and jewelry mushrooms?


The exhibition "Infusion" with works by Cynosure Jewelry and Bozica Radjenovic combines craft, design and fine arts and hold a lot of surprises. The tiny artworks by Cynosure Jewelry, a design studio from Kitchener which is run by Shannon Kennedy and Juan Bohorquez, appeal to a close interaction with the beholder: “As artists, we are constantly seeking a way to bring our art expression closer to the people, to their environment, and make them, the people, interact more directly with the artwork, in the visual attachment and the actual physical awareness.” The expand the borders of jewellery with unusual techniques and forms of art expression.

OSA

Bozica Radjenovic, a Serbian-born artist who lives in Ottawa, has worked with materials like wood, plaster, and found objects such as shoes. In 2009 when she had an exhibition in Belgrade, Serbia, she decided to create soft collapsible sculptures to carry in her suitcase. As she says: “Those unsteady collapsible and puppet like structures represent my state of mind. The wool speaks of a connection, a way back to the point of origin, to childhood. As an émigré artist to Canada, nostalgia for my roots is connected to memories of my mother’s endless knitting of woollen items of clothing for all the members of the family.” Her knitted artworks, like "Red Roots or Sweater for Poor Blood Circulation" (2009, see above), deal with childhood memories and her search for (cultural) identity.

The extraordinary crafts/artworks in such materials like red and yellow wools and silver metal make "Infusion" a remarkable exhibition.

Facts: 
Cynosure & Bozica Radjenovic – INFUSION 
OSA Gallery
March 31 - May 1, 2011
Link OSA

Friday, April 15, 2011

Wellington West Art Walk


Every first Thursday of the month, there is the Wellington West Art Walk, a guided walking tour that covers six galleries in the Hintonburg area. All the galleries are staying opened late on that night and some of them schedule their exhibition openings accordingly.

I always wanted to go and now I finally made it! I attended the April-tour; and it was actually a lot of fun and very exploratory. Like one of the attenders said: “It's like a pub crawl, but with galleries!” It's a great chance to see 6 exhibitions (sometimes at their opening nights) in one evening.

Fritzi Gallery

We – a group of 10 people - started at 7 p. m. at the Fritzi Gallery, located in the upper foyer of the Great Canadian Theatre Company. Currently shown is Paula Mitas Zoubek's work which encounters the theatre play The Middle Place by Andrew Kushnir. The play which unfortunately is not shown any more, was created from interviews conducted at a youth shelter.

Paula Mitas Zoubek at Fritzi Gallery
Paula Mitas Zoubek's paintings show landscapes or group portraits with blank spaces of the contour of children; she left them blank to reminds us on lost childhoods... She wants the beholder to fill them out with his or her own childhood memories. 


The crowd at Patrick John Mills

The next stop was Patrick John Mills Gallery. It was the opening night of the controversial exhibition Porn is not Art – and it was jammed! You might have seen posters of the show, because Mills has put them up all over the city, saying: “Porn is not Art”, or “Porn is Art”. The show seems to give the answer: of course it is...

Patrick John Mills

Included in the show are a few large-scale paintings by Patrick John Mills with his characteristic dynamic brushstrokes. He says in the exhibit statement: “Since the internet porn has become abundant. Porn effects how we communicate, the dynamics of our relationships, and how we interact as partners. This exhibition will explore the impact porn has had on our lives.”


Matthew Jeffrey

The Orange Art Gallery was next, with an exhibition opening for Urban Magic presenting Megan D'Arcy and Matthew Jeffrey. D'Arcy created large-scale photo collages of hyper- stylized urban landscapes with a shiny resin finish; Jeffrey weaves two digital prints - like a shot of a sidewalk and a diving sea turtle - that leads to astonishing results and a complexity of meanings. Other artists of the gallery were also shown who presented a very broad spectrum of media, styles and artistic approaches.

The big sign on the roof of the gallery shows a portrait by Ottawa based artist Stephen Frew who is strongly influence by Francis Bacon, Egon Schiele and Lucien Freud. His portraits, self-portraits and nudes are currently also on display – inside the gallery, of course.


Karen Flanagan McCarthy at Exposure Gallery
At Exposure Gallery the Ottawa based photographer Karen Flanagan McCarthy gave us a very interesting insight in her work process. The photos in her show Fugitive States were created close to her home in Aylmer and along the Ottawa River; they show ice patches and the frozen river in close-ups that depict tiny cracks and fissures.

From the exhibition Fugetive States

It is stunning how abstract these ice structures occur when the context of the shot is not visible any more. McCarthy finds these amazing forms that are images of a particular state that won't last long; indeed "Fugitive States".

Gallery 3
Gallery 3 on Wellington presents works by Canadian contemporary artists. It is an offspring of the Byward Market’s Galerie St. Laurent & Hill.

On the right: Nina Cherney, on the left: Peter Hoffer
There was no exhibition opening at that night, but the gallery presents an overview about their artists.


Ottawa Alleyways at Cube Gallery

We ended our tour at the Cube Gallery at the opening of Ottawa Alleyways. It was crowded with people! Eight Ottawa artists explore and depict Ottawa's back alleys – that lead to a broad spectrum of paintings in different styles, some neo-realist, some in a naïve style, some almost abstract.

Strachan Johnston at Cube
Strachan Johnston's acrylic paintings with patterns of strong colours gave an almost abstract impression. The close hanging at Cube's walls is perfect for this show because its corresponds with the subjects – the narrow back alleys between and behind our houses.

All the galleries in the tour are located in short distance from each other; the tour took us around 1.5 hours. For people who prefer to walk into an art gallery in a group and not on their own, it's the ideal tour. But for people with a background and knowledge in arts, I would recommend to visit these galleries on your own because we just had c.10-15 minutes for each gallery. That's not a lot of time when you are really interested. All of these galleries are opened till 9p.m. on 1st Thursdays – so it's ideal to stroll through them after work!

Facts:
Wellington West Art Walk
Free guided tour
every 1st Thursday of the month
starts at 7p.m.
At Fritzi Gallery (Great Canadian Theatre Company)


Wednesday, April 6, 2011

MFA Exhibition @ Gallery 115



Gallery 115 at the Department of Visual Arts at the University of Ottawa shows currently a MFA exhibition with work of students enrolled in its programs. The show presents a broad spectrum of artistic media and approaches. Unfortunately, the artworks in the exhibition came without labels, therefore I cannot provide titles and further information.

Cara Tierney

Cara Tierney plays in this photo with the expectations of the (male?!) beholder and refers obviously to Titian's Venus of Urbino.


left: Andrea Campbell, right: Tina Chinichian
Tina Chinichian's crosswords read: Iran, people, god, religion, protest, freedom...

Laura Taler
 Laura Taler presents a landscape photograph on a light-box that might refer to Jeff Wall's works.

Jennifer Norman

Jennifer Norman's abstract small-scale paintings have a huge impact on the beholder.

The events website of the UO mentions that they are more "details to come"; it would be indeed interesting to find out more about the artists and their works. 



Facts:
MFA Exhibition
Mondays to Fridays from 9 to 4
Main floor of 100 Laurier Avenue East.

Monday, April 4, 2011

“It Is What It Is” – At the NGC till Sunday



Just a reminder: The Canadian biennial exhibition It Is What It Is: Recent Acquisitions of New Canadian Art is still on view at the National Gallery. But just until Sunday – so take your last chance!

My exhibition highlights in a very, very subjective point of view (with comments why I enjoyed them so much):

Rodney Graham, The Gifted Amateur, 2007: Because the artist stages himself in a room full of references to art history and pop culture, with lots of books lying around, carefully set up. He refers not only to great masters like Picasso, Klee, Miro; he also includes Erwin Panofsky's “Studies in Iconology”. Iconology, that's the key, ha!

James Carl, jalousie (bole), 2008: Because the meaning of his sculptures, made of Venetian blinds, is only revealed when you read the labels – so: READ THE LABELS! Just a hint: it has to do with the German and French word for these blinds...

Adad Hannah, All is Vanity (Mirrorless Version), 2009: Because this real-time video-recorded tableau vivant doesn't show a young woman in a mirror, but two identical twins. Yes, they are blinking, but not synchronously - which takes a while to realize.

Chris Millar, Bejeweled Double Festooned Plus Skull for Girls, 2009: This paint sculpture is as elaborate as its title. I love the little details in this fantastic-absurd factory – like “slippery when wet” warning signs and the collection of kitchy china plates!

Benny Nemerofsky Ramsay, Live to Tell, 2002: Because his video performance mediated by 16 kind-of-surveillance cameras deals with the search for self-identity and is in the same time hilarious.

I know, it would be great to actually see pictures of the artworks here, but I am not sure if I can use them because of copyrights. Therefore: Go and see the originals yourself! Some more artists are featured in this exhibition, like David Altmejd, Shuvinai Ashoona, Valérie Blass, Sarah Anne Johnson, Luanne Martineau, and Gareth Moore.

Facts: 
It Is What It Is. Recent Acquisitions of New Canadian Art
5 November 2010 - 10 April 2011
National Gallery, Special Exhibitions Galleries